In this work, the artist creates a new colorful form giving the viewers a visual impression of a spiral in which the gaze is lost.

In the meantime, this spiral shape evokes the grip of the game in which one can shut oneself gradually and which seems to have no end. The player thus delivers his destiny to the hands of chance, he is caught by the game, as aspirated, and may even lose his critical sense or even lose himself.

 The paper cocottes, apart from the direct reference to childhood, refer to the ephemeral and fragile aspect of the hope that the player, often loser, put in the games.