In this work, the artist questions the fragility of the love relationship between man and woman by staging the meeting of bodies, a "bonding process", the real cement, still under construction.

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From photographs of the unfinished bodies of gendered beings, the artist creates a choreography of desiring bodies based on different positions of the Kamasutra (aphorism = sutra, desire = kama).

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To the poetic power of eroticised bodies in suspension, she opposes the weaving of creeping ivy that intertwines and clings. This work offers us a striking contrast between the lightness of the enjoyment of the bodies and the complexity of the durability of the links.